Chapter 3 - The Yellow Line

At eight the next morning, Khloe sat in Tasha's kitchen wearing borrowed sweatpants and speaking to a legal-aid intake worker. Derek had followed through: the card she used for groceries declined when she tried to order breakfast. She was grateful she had a separate account from her last job, though it held barely enough to cover a security deposit.
The intake worker did not promise miracles. She explained the appointment process, asked Khloe to preserve messages about the accounts and the threats, and gave her the number of a family-law attorney who could discuss temporary financial arrangements. Khloe wrote everything down. She wasn't interested in winning a dramatic confrontation. She wanted to know how to keep buying prenatal vitamins without begging Derek for permission.
When the call ended, Mrs. Reed rang.
"I heard you caused quite a scene last night," the older woman said.
Khloe closed her eyes. "You saw the video?"
"My grandson sent it. I don't care whom you kissed. I care that your husband says I'm moving out. Have you told him I haven't packed a single spoon?"
Khloe laughed for the first time since the gala. "I'm coming over, if that's all right."
"Bring a pen. The elevator's broken."
Tasha insisted on driving. At Mariner Court, they found Mrs. Reed in the lobby beside a handwritten sign reading ELEVATOR OUT AGAIN. The building was six stories of red brick, narrow windows and faded green doors. It wasn't beautiful to outsiders. Mrs. Reed had grown tomatoes in a coffee tin on her third-floor sill for thirty-two years. To her, it was home.
"Before you tell me about a development," Mrs. Reed said, "come look at the stairwell."
Khloe climbed carefully, stopping after the first landing to catch her breath. At the back corridor, a wooden pallet blocked a shallow pool. Someone had removed the chain Tasha mentioned, but the exit's push bar stuck halfway when Mrs. Reed pressed it.
"The management office says it was repaired," Mrs. Reed told them. "Yesterday. Same day they were supposed to count how many of us were here."
The yellow paint mark crossed the wall at nearly knee height. Beneath it, a row of dated pencil strokes documented smaller floods. Khloe photographed the wall from several angles, including the exit sign, the stuck bar and a wide shot proving which stairwell they were in. She recorded Mrs. Reed explaining when she had painted the mark and why. She didn't ask residents to dramatize their experiences. Their actual stories were alarming enough.
Mr. Alvarez arrived carrying a small binder. He was a maintenance electrician who lived in apartment seventeen and kept records because years earlier a landlord had blamed him for a broken circuit he hadn't touched.
"The sump pump keeps losing power," he said. "It doesn't switch to the backup circuit. I reported it six times. The last contractor said his work order was closed before he even came out."
"Do you have the reports?" Khloe asked.
He opened his binder. Copies of emails, a photograph of the flooded corridor, a work order stamped COMPLETE. He had saved the building's responses alongside his requests.
"My daughter has asthma," he said. "We can't have standing water and mold in the hall all winter. I don't need some rich stranger to build me a tower. I need somebody to fix the pump."
Khloe didn't want to turn the residents into evidence she could carry away. She asked permission before photographing each page, explained that she would share copies with a tenant advocate and an independent inspector, and wrote down who wanted their names kept out of any public statement. Mrs. Reed agreed to speak openly. Mr. Alvarez wanted the documents used but didn't want his daughter's name published.
At noon, a representative from Derek's company arrived with a clipboard. He wore expensive shoes that avoided every puddle and introduced himself as a relocation coordinator.
"There seems to be confusion," he told the small group. "We're just confirming the projected vacancy numbers."
Mrs. Reed pointed at her front door. "Does my couch count as a projected vacancy?"
The man smiled nervously. "You received a relocation packet."
"A flyer isn't an agreement," Khloe said.
His eyes moved to her stomach and then to her face. "Mrs. Hayes. Your husband told us you might be here."
"He doesn't speak for me. Who approved the line in the proposal calling the building substantially vacated?"
"You'll need to ask our office."
"I will. In writing."
She took a photograph of his business card after he consented and let him leave. She didn't follow or argue. Mrs. Reed watched him disappear through the lobby and said, "There's something strange about a man in dry shoes calling a flood confusion."
Khloe sent a short message to Dominic's office requesting the name of his firm's independent building inspector, then copied a tenant advocate on the request. She didn't offer to meet Dominic privately. He could be helpful and still be the man financing the deal.
An hour later, his assistant returned the call. "Mr. Moretti is suspending payment on the purchase option pending an independent safety and occupancy review. An inspector will contact the tenant association directly."
"Good," Khloe said. "They should talk to the people living here, not to me as some imaginary representative."
When she hung up, Mrs. Reed handed her a paper cup of soup and insisted she sit. Khloe accepted both without protesting. She had spent months treating rest as evidence of weakness because Derek always said she was slowing him down.
Tasha sat opposite her at the folding table. "You know this doesn't mean he's suddenly one of the good guys."
"Dominic? I know." Khloe stirred the soup. "I know he could cancel the deal tomorrow and still leave these people in a dangerous building."
"So what's the plan?"
"Make sure the inspection produces a repair plan. Make sure everyone gets a copy. Then find out where the maintenance money went."
She was halfway through her soup when an email arrived from Derek's lawyer. Attached was a draft public statement expressing concern about Khloe's "recent distress" and announcing that Derek was helping his wife take a break from community activity.
Khloe read it twice. The words were polished and almost gentle. They would turn every photograph she had taken that morning into a symptom, every objection into an emotional episode.
Then a second attachment loaded.
May you like
It was a photograph of Khloe asleep on the couch at Tasha's apartment, taken through the bakery's front window sometime after midnight.
Underneath was a single sentence: LET US HANDLE THIS QUIETLY.