Chapter 2 - The Girl Above the Restaurant

To understand what happened after those gates closed, you need to understand where I came from, because the Coles never bothered to, and that failure of curiosity would cost them everything.
I grew up in an apartment above Marchetti's, my family's restaurant in Cicero, Illinois — three bedrooms for seven people, the smell of garlic and simmering tomato sauce permanently woven into the walls, five older brothers who took turns walking me to school because our neighborhood, in the nineties, wasn't always kind to a skinny girl with a nose in a book.
My father, Salvatore Marchetti, had come to Chicago from Calabria with nothing but a recipe book his own mother had written by hand and a willingness to work eighteen-hour days for a decade before the restaurant turned a real profit. My mother, Carla, ran the front of house and, more quietly, ran the entire neighborhood's information network — there wasn't a wedding, a divorce, a business opening, or a business failing within a mile of that restaurant that she didn't know about before it happened.
My brothers were not, whatever Nathaniel liked to joke, criminals. But they had grown up in a world where you learned early that some problems required more than a polite conversation to solve, and that reputation — real reputation, the kind built on being reliable and occasionally frightening in equal measure — was worth more than any amount of money.
Dominic left for the Marines at eighteen, came back seven years later with skills nobody in Cicero fully understood, and built a corporate security firm from a two-room office above a dry cleaner into a company that Fortune 500 boards called when they needed threat assessments done quietly and correctly. Matteo took over a struggling freight company from a family friend who was retiring and turned it into a regional logistics empire through sheer stubborn competence. Luca put himself through law school waiting tables, graduated top of his class, and built a defense practice on the principle that everyone, guilty or innocent, deserved someone who actually fought for them — a principle that made him extraordinarily good at finding the weaknesses in other people's cases. Gabriel discovered he had a gift for numbers that bordered on unsettling, spent six years chasing financial criminals for a federal task force, then went private when he realized he could make ten times the salary doing the same work for corporations who needed to know exactly how badly someone had betrayed them. And Nico, the quietest of the five, ran investigations so thorough that opposing counsel in three different states had learned to settle rather than face what he might find.
I was the baby of the family, the only girl, doted on and fiercely protected in the particular way large Italian families protect their youngest daughters. I got a full scholarship to Northwestern, studied art history because it was the one subject that made my heart feel full rather than obligated, and took a curatorial internship at the Art Institute of Chicago the summer after graduation.
That was where I met Nathaniel Cole.
He came into the museum for a corporate donor event, tall and effortlessly charming in the way that money makes charm look easy, and he spent twenty minutes talking to me about a Caravaggio while everyone else in the room talked to him about his family's construction empire. He asked questions. He listened to the answers. He made me feel, for the first time in my adult life, like I was interesting for reasons that had nothing to do with my family or my last name.
I fell for him slowly and then completely, the way you fall for someone when you've spent your whole life being protected and suddenly meet someone who makes protection feel unnecessary.
My brothers were skeptical from the beginning. Dominic ran a background check on him within a week of meeting him — of course he did — and came back with nothing alarming, just old money, a controlling mother, and a father whose construction company had a reputation for winning contracts through relationships that were never quite illegal but never quite clean either.
"He's fine," Dominic told me at the time. "But that family runs on leverage, Sophia. Everything is a transaction to them, even the people. Just — keep your eyes open."
I didn't listen closely enough. I was twenty-six and in love, and Nathaniel proposed on a rooftop overlooking Lake Michigan eight months after we met, and I said yes before he'd even finished the sentence.
May you like
Margaret Cole's first words to me, at the engagement dinner three weeks later, were: "Well. Nathaniel does love a project."
I laughed it off then. I would spend the next nine years slowly, painfully understanding exactly what she'd meant.