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Chapter 3 - The Painting That Arrived Too Clean

Sofia asked Janevra to meet her at Saint Agnes before noon, away from the gala's donors and their expensive publicists. Janevra arrived in a plain coat and sensible boots, carrying a notebook she had once planned to take to Florence. The chapel smelled of damp plaster and coffee from the volunteer kitchen. A little girl was practicing the violin beside the sanctuary steps while her grandfather adjusted the music on a borrowed stand.

“People still come here every day,” Sofia said. “We didn't remove the paintings because we wanted a fancy fundraiser. We removed them because rain was running down the wall.”

Janevra looked up at the empty recess where Saint Brigid had hung. “Who was responsible for packing it?”

“Three of us. The priest, our contractor, and me. We took photographs. Then a truck collected it.”

Sofia laid two printed condition reports on a table. The first had been signed by the chapel's volunteer custodian, Mr. Alvarez, an older man with careful handwriting. The second was supposedly a receipt for a second pickup three days later. Sofia hadn't authorized a second pickup. The signature on that page was illegible, and its shipment number was the same as a consignment bound for an estate auction in Switzerland.

“It might be a clerical mix-up,” Janevra said. “We need to establish custody before making claims.”

“That is precisely what I've been trying to do. The company won't answer my calls.”

The violin squeaked through a difficult passage. The girl began again without complaint. Janevra felt something settle inside her. She had spent her childhood learning how to be a pleasing daughter; Sofia had spent her morning looking for a missing work of art so a neighborhood could keep its history. Janevra knew which kind of person she wanted to become.

She called Lena from the chapel steps. Lena's family had interests in Mediterranean shipping, and she worked as a contracts attorney who was impatient with both criminal glamour and careless paperwork. “I need advice,” Janevra said. “Not a favor that can be traced to my husband.”

“Those are my favorite kinds of calls. Tell me what you have.”

Janevra described the conflicting receipts. Lena told her to request the chain-of-custody records from the chapel, the charitable foundation, and the transport company in writing. “Preserve the originals. Don't break into anyone's computer, and don't let Elio's people decide what counts as evidence.”

“I hadn't planned to.”

“You were raised by Victoriao. That's not the same as knowing where the line is.”

Janevra hated how fair the criticism sounded.

That afternoon, she showed Elio the requests in his study. Bruno stood at the door, waiting for orders. Elio read the first page, then the second, paying more attention than she expected.

“A Swiss auction?” he asked.

“That's where the duplicate number points. It could be a mistake. It could be the wrong crate. We need the freight record.”

He called Bruno closer. “Obtain a copy of the records through the company's legal office. Do not alter anything.”

Bruno nodded, then glanced at Janevra. “There's a complication. Daario took over Pier Six scheduling in August.”

Elio stopped tapping his pen. “Who authorized it?”

“Your cousin says you did.”

“I didn't.”

Janevra saw the first crack in the certainty that had built her husband's reputation. He wasn't as omniscient as the men who feared him believed. He might not even know who was using his name.

Elio asked her to leave while he questioned Bruno. Janevra stayed seated. “I'm involved in this work, and I'm the person who noticed the discrepancy. You can have a private conversation later. You won't exclude me from the facts I brought to you.”

His eyes narrowed. Then he said, “Bruno, continue.”

Bruno explained that Pier Six had recently begun receiving late-night trucks marked as arts shipments. Workers were told the goods were insured for unusually high amounts and that opening them would void coverage. Some shipments never entered the regular warehouse ledger. The drivers used temporary permits issued through a property company controlled by Victoriao.

Janevra felt her face grow hot. “My father?”

“His company's name,” Bruno said. “That doesn't tell us who knew what.”

Elio looked at her. “I'll speak to him.”

“So will I.”

“Janevra, your father isn't an easy man to question.”

“I lived with him for twenty-two years. I know.”

At dinner she called her mother, Beatrice, who had retreated to their family's smaller house on the North Shore after the wedding. Beatrice had once painted watercolors but had abandoned them when Victoriao demanded a more appropriately decorative wife. She listened without interrupting.

“Do you remember the little harbor picture I kept above your bed?” she asked.

“Yes.”

“It was a copy of Saint Brigid. Your grandmother painted it before the chapel was repaired in nineteen eighty-seven. She taught you to notice that crooked fish.”

Janevra touched her forehead. Her grandmother had been the first person to place a paintbrush in her hand, and the first to tell her that art belonged to the people who remembered it, not merely the people who could purchase it.

“Your father is visiting tomorrow,” Beatrice said quietly. “I'll ask why his trucks are carrying church paintings.”

“Please don't confront him alone.”

“I won't. I'm tired of doing important things alone.”

The next day Janevra returned to the restoration workshop. Sofia had carefully checked the painted surface, the wood grain, and the underlying repair marks. Her report didn't claim certainty about authorship, but it established that the displayed panel had a different support from the one documented at Saint Agnes. The donor board postponed its auction plans and notified the relevant cultural-property authorities.

By evening, a message came from the Swiss auction house: a panel matching the chapel's original photographs had been offered privately through an intermediary called Harbor Lantern Holdings. The intermediary used an address shared by Daario's real estate office.

Janevra carried the email to Elio. He read it in silence.

“Now,” she said, “we have something more substantial than a suspicious fish.”

His phone rang before he could answer. Daario's name flashed across the screen. Elio switched the call to speaker.

“I hear your wife has been asking questions,” Daario said cheerfully. “You ought to remind her which family she married into.”

May you like

Janevra leaned toward the phone. “I'm right here, Daario. Remind me yourself.”

The line went dead.

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