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Chapter 5 - The Woman in the Red Dress

The woman in red was not a romantic rival. Her name was Simone Vale, and she sat on the advisory board of the charity supposedly receiving the painting’s proceeds. Her husband, Edmund, managed Beaumont’s financial partnerships. On the gallery’s website, their photographs appeared beside phrases about community stewardship and the dignity of second chances.

Saraphene read the biographies over coffee at Lillian’s table. Jo stared at the photograph of Edmund Vale. “That’s the cuff link?”

“Maybe. Lots of people own cuff links.”

“Most people don’t stand beside your ex and hire you for a shift you didn’t apply for.”

“Those are two different facts,” Saraphene said. “I need the part that connects them.”

She opened her notebook, a cheap spiral-bound thing from the café, and wrote every question she had avoided asking. Who had access to the restoration corridor? Who controlled the staffing order? Who would gain if the buyer believed he had purchased a genuine painting and the charity believed it had received the proceeds? She could describe each unknown without inventing an answer.

Selian phoned that morning. She told him to put anything important in writing. He emailed a copy of a purchase condition requiring an independent inspection before the buyer’s final payment. His firm had added the condition after he raised doubts about the painting’s conservation records. Because the auction had already closed, the condition mattered more than any dramatic announcement would have. The buyer could refuse to complete the purchase if the work was not authentic.

“You could have told me about the condition the first night,” Saraphene said when they later met with Leah.

“I should have.”

“Why didn’t you?”

“Because admitting I doubted the painting would mean admitting I let the sale go forward while my firm was still negotiating its fee.”

There was no charming version of that answer. Saraphene appreciated that he had stopped trying to find one.

Detective Grant identified the man with the cuff link as Edmund Vale from the photographs and obtained the event photographer’s original files. She was not permitted to share every investigative detail with Saraphene, but she did confirm that the inquiry had expanded beyond a supposedly stolen painting. More than one institution might have been deceived.

The regular server who had supposedly fallen ill came forward after the staffing agency contacted her. Her name was Becca Lin. She had never called in sick. Marco had texted her on Monday evening saying the event was overstaffed and she should take a paid night off. Becca had saved the message because paid cancellations were rare.

“I thought he was doing me a favor,” she told Saraphene, sitting opposite her in the café after close. “Then I saw your name in a staff group chat saying you’d been accused of stealing.”

“You weren’t responsible,” Saraphene said.

“I know. But I was the one who should’ve been there.”

Trent had known Becca’s scheduled hours, it turned out, because he had befriended a freelance bartender who occasionally worked the same events. A planned substitution could be arranged without anybody announcing that a particular woman had been selected. The discovery did not prove Trent ordered it. It made the selection much harder to dismiss as chance.

Becca produced another saved message from the staff group. Marco had told the servers to leave their trays and temporary badges at a service station during breaks. No one was supposed to take badges into guest bathrooms.

Saraphene remembered how she had rushed down the corridor and into the private restroom with her own badge still attached. She checked the photograph of herself taken earlier by the event photographer: blue clip visible against her black uniform. At the bathroom mirror, she had not taken it off.

“My badge wasn’t stolen,” she said slowly. “They used its number.”

Leah asked her to explain the difference.

“The person in the image wore a cap. I had my hair uncovered. And the badge in the image is tucked into a pocket. They copied the number. They didn’t have my actual badge.”

The gallery’s security contractor could test whether the temporary card had been duplicated, but Leah was careful about what they could claim. “This gives investigators a reason to examine the equipment. It doesn’t tell us who touched it.”

That afternoon, Saraphene received a message from an unknown address containing a photograph of her and Selian outside Leah’s office. Beneath it: YOU’RE MAKING THIS WORSE FOR BOTH OF YOU.

She forwarded it to Grant and Leah. Then she put the phone down and returned to work at the café, where a small boy in a yellow raincoat was solemnly explaining to his grandmother that a blueberry muffin was technically a fruit salad.

The ordinary conversation nearly made her cry.

After her shift, a woman waited near the café’s side exit. Simone Vale wore an expensive tan coat and the same red lipstick Saraphene remembered from the auction. She stood where the streetlights reached her face, hands visible, like someone who did not want to be mistaken for a threat.

“I know you have an attorney,” Simone said. “I don’t want to speak without her if that’s not safe for you.”

Saraphene stopped several feet away. “Then why are you here?”

“Because my husband has been using my name on the charity’s accounts. I asked for the bank statements this morning. They told me to stop asking.”

“You need your own lawyer,” Saraphene said.

“I have one. But the donation should have reached Harbor House last month. It never did.”

Simone’s eyes filled, though her voice stayed steady.

“The people we used in our brochures are real. The money we promised them may not be.”

For the first time, Saraphene saw what the painting could cost somebody beyond a buyer or a gallery: a woman waiting for legal advice who might never receive it. She did not give Simone the answers she wanted. Instead, she gave her Detective Grant’s name and told her to speak to counsel.

Simone nodded and walked away.

A moment later, Jo emerged from the café carrying the trash. She had watched from the window. “Was that who I think it was?”

“Yes.”

May you like

“Are you all right?”

Saraphene considered the question. “I’m angry,” she said. “And I’m starting to think that’s useful.”

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